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RC-20 Retro Color is available for Mac and Windows platforms and a trial version is available. So, if you're looking for a powerful saturation plugin that pushes beyond the boundaries of a traditional tape machine plugin emulations and is easy and intuitive to use you must check out RC-20 Retro Color. The handy Magnitude slider at the top of the plugin allows you to scale the mix of all 6 modules at once.įinally, you can control the overall tone in the bottom EQ section and adjust the width and level before your output stage. You then further get to pass your sound through the following 5 modules:
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That's however just the Noise Generator module, where the fun starts. This versatile little monster gives you the ability to imbue your sounds and mixes with a variety of vintage artifacts like tape hiss and vinyl crackle, studio ambience and hum and static. Now, while we of course have no way to scientifically say that this is the best saturation plugin, we can say for a fact that it's one of, if not the highest-rated. Next on the list we have RC-20 Retro Color by XLN Audio, whom you may already know of by now for their plugins Addictive Drums or Addictive keys. Satin by u-he is available for Windows and Mac and has a trial version you can demo before you buy. In the Circuit section you can switch between different EQ circuits to use the modeled curves of classic machines or create more out-there processing effects by playing around with different combos between the recording and reproduction EQs.įrom subtle saturation to more extreme distorted sounds and whether it's single tracks like vocals, bass, guitars, keys, synths or group tracks and even your entire mix, Satin u-he opens up a world of delicious sonic possibilities, fun and goodness in the home studio. In the same section you can play around with the Azimuth parameter that creates interesting spacial effects in the way you get with a skewed tape head on a machine. The Repro Head(s) section enables you to adjust Gap Width and Bump parameters to shape and modulate your tone even further. Satin models each of these components and then allows these components interact in the way they would in hardware tape machines.Īpart from the saturation you also get to add/create tape delay and tape flange and you get to impart traditional tape artifacts like hiss, bias, crosstalk, wow and flutter to your sounds or mixes. You probably know by now that tape saturation is a result of the interaction of various components of a tape machine and the flavor they each impart to a signal passing through. Once you've done that you'll quickly realize why this is considered the best saturation plugin by many producers and audio engineers. Now, if you've not yet spent some time with a tape machine it might take a little moment or two to get used to what the different parameter controls do. All that and more in the box and in one plugin called Satin! Luckily, because of the great work done by u-he, we can now access the sound of not just one but many different tape machines, with all the luscious smooth saturated compression we're looking for and we get to tweak it to our heart's content with all the little nuances of old tape machines. Most of us barely have a place to put our coffee cup in our studio, let alone an old-school hardware tape machine. My hope is you'll find the 3 recommended plugins in each category a good starting point and find the plugin that suits you best, faster.
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Take it with a grain of salt as you would with any opinion about music production software and gear in general.
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So, you can think of it as my opinion plus a bit. ?" music production and audio forum posts. It's a mix of my what I've picked up in my experience in audio and music for the past 20-ish years, coupled with some light research on sites with ratings and reviews and various lengthy "what's the best plugin for. So, how are the included plugins selected? This means you can start with a solid shortlist and demo the plugins which appeal to you most, knowing that these have been selected for good reasons. to narrow-down to just 3 top contenders in each of the popular DAW plugin categories. Even more so when you start comparing plugin features.
While these types of posts have their place and purpose they can still leave you with a bit of overwhelm when it comes to making a choice.
That would've been the easier option for me, but there are countless blog posts listing the 20 or 10 "best plugins". Some really excellent contenders had to be left on the virtual cutting-room floor. This, as you can imagine, is no easy task given the sheer amount of plugins available in most of the various audio plugin categories.
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The purpose of this series of posts is to provide you with only 3 good DAW audio plugin choices for the different types of available professional music production plugins.